Series
Twelve small wooden frames; inside each, an animal image in blue tones that looks like a film negative, with vertical bars running across it. The images are 'processed' — in the photographic sense, and in the sense in which industry processes the animal body.
The bars recall a cage, a barcode or a cutting line; to see the animal one has to look between them. The series forces the viewer to come close and read the image piece by piece.
